Mrubata/Hauser Project in
KwaZulu-Natal
Wednesday 8 February – Sunday 12 February
The Rainbow, iSupport Music Business, Centre for Jazz and
Popular Music and Concerts SA proudly present a tour of the Mrubata/Hauser
Project in KwaZulu Natal.
This collaboration came to life through a friendship which
began in Switzerland when McCoy Mrubata and Mark Hauser were introduced by
their mutual friend Mark Roth. The two Saxophone players hit it off immediately
and over the years embarked on a project which looked at ways to exchange the
music of the two continents - Africa and Europe. This concert is jammed with
heavy hitters and their band features the cream of the crop of South African
Musicians: Paul Hanmer on keys, Thembinkosi Mavinbela on bass guitar and
Bernice Boikanyo on drums, will be backing Mrubata on tenor saxophone and flute
and Hauser on alto- and soprano saxophone.
Reedman McCoy Mrubata grew up with the sounds of African
music: the soulful hymns of the Zion Church, the chants and rhythms of
traditional healers and the brassy jive of the Merry Macs band who rehearsed
opposite his home. When schooling became impossible in the fiery aftermath of
the 1976 uprising, the young McCoy, then playing flute, studied informally
under Langa Township greats like Madoda Gxabeka, Winston Ngozi , the Ngcukana's
- Ezra and Duke, Blackie Tempi and Robert Sithole. By the early 1980's he was
playing in cover bands like Fever, Touch, Airborne and Vukani, from there he
moved to crossover outfit Louis and the Jive. In 1987 McCoy was spotted by
bandleader Sipho Hotstix Mabuse who helped him make Joburg his home. In 1988 he
joined PJ Powers' band and also that year McCoy was spotted by veteran producer
Koloi Lebona who offered him a recording deal with a British based record
company, Zomba Records. The same record company had produced music for, amongst
others: Jonathan Butler and Billy Ocean. McCoy’s debut album, Firebird was
released the following year.
In 1989 he formed Brotherhood, which also included
guitarist Jimmy Dludlu pianist Nhlanhla Magagula and Lucas Khumalo and later
Moses Molelekwa. In 1990 the band won the Gilbey's Music for Africa
competition, beating top bands like Bayete, Peto, Stax and Zanusi. In 1992 he
began touring with Hugh Masekela’s Lerapo, alongside Vusi and Bakithi Khumalo ,
Lawrence Matshiza and the late Moses Molelekwa among others. He also created
his own bands, Cape to Cairo and McCoy and Friends. In the mid 1990s, he made
the first of a series of albums as leader for the independent Sheer Sound
label: Tears of Joy. The personnel of Friends, including pianist Paul Hanmer,
bassist Andre Abrahamse and trombonist Jabu Magubane have formed a consistent
team of collaborators for McCoy.
Since those days, more albums have followed:
Phosa Ngasemva, Hoelykit, Face the Music which won the 2003 South African Music
Award in the Traditional Jazz category and Icamagu Livumile which won the same
award in 2005 and Brasskap Sessions Volume 1 won the 2008 award. McCoy also won
awards with bands : The Sheer All Stars and Kulturation. In addition, McCoy has
collaborated with a dazzling array of South African jazz players and with
overseas artists such as Airto Moreira and Flora Purim. He has been involved in
drama, creating scores for South African productions about journalist Bloke
Modisane and saxophone legend Kippie Moeketsi . McCoy also worked on three
Norwegian productions (with Nordic Black Theatre) : two in 1994/5 in SA and in
Oslo on two Bob Marley Musicals. In 2001, he stared in a play based on the life
of John Coltrane, “Beyond The Blues”, playing a leading role. He has also
created what he calls the Young Friends: a collaboration with the next
generation of South African jazzmen.
Mark Hauser is a Swiss musician (alto, soprano, tenor,
baritone saxophonist, clarinet, transverse flute), band leader, composer and
music teacher. Hauser embarked on his musical career at the age of 15 as a
saxophonist. After two years at the St. Gallen Jazz School, he studied at
Berklee College of Music in Boston, USA and graduated in 1993 with a major in
performance. He spent further years studying with Kenny Garrett, Joe Viola, Hal
Crook, George Garzone and Jerry Bergonzi. Furnished with a scholarship, he
continued training at New York's Manhattan School of Music, where he refined
his repertoire and became a professional musician. In 2011 he once again spent
time studying abroad, in Brazilian city, Salvador da Bahia. His dealings with
South American idioms and jazz improvisations influence his earliest
compositions.
As a band leader, Hauser not only realized his own projects, he
was also the "side man" in a variety of formations and ensembles. As
such he toured with the Swiss big band leader Pepe Lienhard, with Udo Jürgens,
Billy Joel, with Brand New Rhythm in Mexico and Europe, and with the Phil
Dankner Seat Music Session in Switzerland. Since 1990, he has played with:
Randy Brecker, Chicco Freeman, Clark Terry, Adam Nussbaum, Mark Soskin, Billy
Joel, Johnny Vidacovich, Al Porcino, Phil Wilson Big Band, George Garzone,
Terry Lynn Carrington, Matt Garrison, Airto Moreira, Lew Soloff, Reggie
Hamilton, Buster Williams, Christian Jacob, Danny Gottlieb, Marc Sway, Bligg,
Lisa Millett, Seven, Myron, Tanja Dankner, Chinua Hawk, Rolf Stahlhofen (Söhne
Mannheims).
Besides his new album, with the Mark Hauser Quartet, “It’s All
About The Journey”, of his projects as band leader, both Vol. I and II of
"Boleros y Tangos", "There’s a Way out", "No
Joke", "NuTube" and "A Tribute to Art Pepper" count
among his most outstanding creations. Art Pepper, the American alto
saxophonist, is one of his idols. "A Tribute to Art Pepper" is both
an impression of his intellectual creativity as well as his musical brilliance.
A further project is "NuTube", presented by Hauser. NuTube is a form
of Nu Jazz, which came into being in the mid 1990's in countries including the
USA, Mexico, France and Brazil.
Hauser takes social trends of this style – as
are expressed for example in Herbie Hancock’s Future Shock or by France's St.
Germain – and develops his own musical concept from these. NuTube combines
electronic music such as chill out and house with live instrumental music and
is characterised by its polyvalent style, rhythm and formations. In his new album-
Mark Hauser Quartet, "It’s All About The Journey”- he releases a piece
with his favourite music – jazz. This album reflects his journey through jazz –
a journey full of crossroads, different compositions and richly coloured
improvisational styles; an adventurous, experimental and constantly challenging
journey.
Wednesday 8 February – Centre for
Jazz & Popular Music UKZN
Doors open 6.30pm
Tickets: R70 // R45 pensioners // R20 students
031-2603385
The Centre for Jazz & Popular Music (CJPM), Level 2 Shepstone Building at UKZN Howard College Campus, Durban
Tickets: R70 // R45 pensioners // R20 students
031-2603385
The Centre for Jazz & Popular Music (CJPM), Level 2 Shepstone Building at UKZN Howard College Campus, Durban
Friday 10 February – The Luthuli
Museum
Doors open 6.30pm
Tickets: R30
031-7111 524
The Luthuli Museum, 3233 Nokukhanya Luthuli Street, Groutville
Tickets: R30
031-7111 524
The Luthuli Museum, 3233 Nokukhanya Luthuli Street, Groutville
Saturday 11 February – Seaman’s
Corner
Doors open 7.00pm
Tickets: R30
031-7111 524
Seaman’s Corner, Unit 3, Hammarsdale
Tickets: R30
031-7111 524
Seaman’s Corner, Unit 3, Hammarsdale
Sunday 12 February – The Rainbow
Restaurant
Doors Open
1pm
Tickets: R120
Call: 031 7029161/0834638044
The Rainbow, 23 Stanfield Lane, Pinetown
Tickets: R120
Call: 031 7029161/0834638044
The Rainbow, 23 Stanfield Lane, Pinetown
Concerts SA
Supporting Local Music
Concerts SA
is a joint South African/Norwegian project housed under the auspices of the
Stakeholder Hub within The SAMRO Foundation; it receives financial,
administrative and technical support from the Norwegian Ministry of Foreign
Affairs, SAMRO and Concerts Norway. By engaging with musicians, promoters,
venue owners and audiences, the project aims to stimulate live music in South
Africa by finding and implementing ways to create regular, sustainable performance
platforms. Concerts SA also aims to develop an interest in and appreciation of
live music by showcasing music performances and conducting workshops at
schools.
For more
information please visit our website http://concertssa.co.za, follow us on Twitter
at http://twitter.com/ConcertsSA or like us on Facebook at
www.facebook.com/ConcertsSA.
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